2009年3月30日星期一

'Sweet Beauty' Hilary Duff's Street Style

After Hilary Duff Lose weight successfully, She has been a model for fat whether in the stature or in wear.From Hilary Duff's Street style you can see that she is so clever to cover up her disadvantage and show her advantages.
Here are some collection of Hilary's Street Style,you may learn something from that~~



















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2009年3月26日星期四

5 grades of replica Louis Vuitton Handbags:B/A/A+/UltrA/1:1

The popularity of a certain designer label can also become the reason for the availability of counterfeit products. This is also true for Louis Vuitton handbags. Due to their immense recognition among celebrities, the brand has been victim to fake produce for a ling time. Everyone wants to own their own LV handbag and there are so many knock off fake Louis Vuitton in the market.

How to choose replica Louis Vuitton handbags?

A high replica is an exact imitation of the genuine article, we call it "High Quality Replica", much realer than the general counterfeit, and people cannot tell if it is a fake or not if without careful check. Therefore a lot of people adopt replicas instead of using genuine ones for the price of high quality replicas is much lower. A high quality replica is not called high quality if it is poorly executed. So generally a high quality replica is fairly cost effective.
High quality replica has 5 grades which distinguished by defferent quality:












































1. Grade B/AB
Generally called Grade B/AB. The only part that is similar to the original item is probably the logo. It is no surprise if the pattern of a Grade B/AB replica is never found among the original designer/manufacturer’s collection, for what matters to a maker of cheap replicas is the brand, the LOGO, solely. A Grade B/AB replica handbag is mostly found on street markets, and you can tell it is a counterfeit just by a casual glance and its price is usually very low. Materials used for a Grade B/AB replica handbag include: fabrics of lowest quality, accessories of lowest quality, hardware and handcraft of lowest quality as well. (Note: fabrics are with patterns, the accessories are the white parts and those of Grade A replicas are with leather)

2. Grade A
It can be said that Grade A replicas are of medium quality, which are more elegant in texture and softer to the touch than Grade B/AB replicas. The leather used and the sewing techniques are just so-so, and the package is slightly more attractive than Grade B/AB replicas. The overall quality is all right, though won’t be worn out after some time’s usage, the leather won’t turn into the color of beeswax with time goes by like a genuine handbag does. Materials used for a Grade A replica handbag include: common fabrics, accessories using split leather, hardware of so-so quality and fair handcraft (Note: fabrics are with patterns, the accessories are the white parts. Leathers used are top layer leather and split leather, and the split leather is not tough.)

3. Grade A+
Grade A+ replicas are also called Grade AA replicas, of better-than-average quality. The texture is fairly nice, so are the handcrafts and details. The entire handbag feels up-market. Materials used for a Grade A+ replica handbag include: solid fabrics, accessories using top layer leather whose color won’t change with time, hardware of common quality. (Note: fabrics are with patterns, the accessories are the white parts. Leathers used are top layer leather and split leather.)

4. Grade UltrA
replica Louis Vuitton handbags belong to this grade are made of imported cow leather whose color will turn into the color of beeswax after used for some time or wet. They are sophisticatedly made: patterns and sizes need to be checked carefully, look almost like the original ones. replica Louis Vuitton handbags of this grade are quite popular among the public because of their reasonable prices and good quality. Materials used include: top quality solid fabrics, accessories using imported leather and YKK hardware. (Note: fabrics are with patterns, the accessories are the white parts. Leathers used are top layer leather and split leather.)
5. 1:1
replica Louis Vuitton handbags belong to this grade are made of imported cow leather whose color will turn into the color of beeswax after used for some time or when wet. They are sophisticatedly made: patterns and sizes need to be checked carefully, look as if they are original. Every handbag of this grade is made in strict accordance with the genuine handbag. The major difference from a Grade UltrA replica handbag is in the handcrafts, which is sophisticated still. Every detail has been paid special attention to and the execution is even nicer than the original handbag (because most of the original ones are handmade, and replicas are done by machines, so there is no wonder). Due to the complicated craftwork required, replicas of this grade are not mass-produced, and thus their price is comparatively high. But I suggest you buy these replicas rather than the original, even an expert in handbags can tell them apart. But 1:1 Items are very scarcity, people only can find it in some secret shop or online retailers, such as ithandbag.com. (replica Louis Vuitton Handbags so well done 99.9% same as originals from ithandbag.com,No one will know you didn't purchase this at the LV store. Same bags are selling as authentic for thousands of dollars on ebay and those buyers have no idea they purchased a high end replica.
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The highest level of replica Louis Vuitton handbags enjoys the advantages of reasonable price, elegant in texture, exquisite workmanship and high cost performance, and thus is the best choice for those who can’t afford the genuine article but long for genuine quality.

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2009年3月20日星期五

What do you think about the 2009 It bag


What do you think about the 2009 It bag?


Latest Fashion Accessories Trends for Spring - Summer 2009. As we come through the winter blahs and look forward to spring, one of the first pick-me-ups I look for in my spring wardrobe is a new handbag. The Paris, New York, and Milan Spring Fashion Week included handbags with all the collections, and brought a wearable side to all the elegant clothes. A handbag brings an element of creative expression and pulls together an entire look.

Many materials were present, most notably the exotic skins of ostrich, crocodile, and snake in brilliant colors. Bright colors will be the most popular: pinks, red, oranges, purples and yellows in all sizes, but the big bag still shines as a roomy favorite. Many feature chains and showy hardware. Smaller, more classic handbags were present, and clutches also provided a fresh look for any ensemble Regardless of the size of bag, many were shown clasped in the hand, not slung over the shoulder, for a more elegant look.

While many designers were showing leather, others opted for textiles, such as linen or cotton fabrics to give a softer silhouette. Miu Miu offers a shredded cotton-linen pleated handbag, that is a clever play on casual. While many of these bags were in softer neutrals or black and white, elements of color were applied in other ways using long fringe, beading, and contrasting prints.

Natural fibers continued with the use of hand knitted bags. The various stitches added new dimension with the textural elements, which included appliquéd flowers, sequins and beading, and metallic thread interwoven. These bags added an element of surprise to both daytime and evening looks. Being one of her signature styles, Miami based designer Natasha Leratti offers a plethora of knitted handbags looks to choose from at her Spring - Summer Fashion Accessories 2009 Collection.

Some designers, such as Yves Saint Laurent embellished his with pearls, crystal, and metallic accessories to add a shimmer and flash. The evening bags were often shown in the same color as the dress, but added an element of brightness and sophistication.

Patent leathers, ruffles, and braiding were all found in lady-like creations. Shapes ranged from sleek and rounded to slouchy. Bags are favoring multiple pockets and holders inside to provide maximum storage for makeup, IPods, and Blackberries. With the strain on the economy, many designers are offering bags that can be used both daytime and evening - many offer removable embellishments that can be changed depending on look.

The handbags of 2009 are meant to bring strength and elegance to the modern woman they are paired with. Luxury handbags continue to be a strong statement, and will accentuate a wardrobe for many years to come when purchased smartly. Expressing your personality with a quality handbag is sure to add confidence to your wardrobe.

Check out the Latest Collection of designer handbags from ithandbag.com that express gorgeous style and elegance.

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2009年3月2日星期一

Which is your style -- Top 10 greatest 'It' bags

Ten years ago your handbag was just a receptacle for purse and keys. Nowadays it's a fashion statement that says more about you than anything else in your wardrobe. Judy Rumbold casts a quizzical eye over a decade of it-bags and the celebrities who have wielded them

Ten years ago no one made a lot of noise about handbags. They were simply humdrum accessories, along with shoes and jewellery, that added the finishing touches to clothes. They were practical, functional and not at all sexy. How things have changed. Due to clever marketing, celebrity endorsement and, it seems, feverish acquisitiveness on a monstrous scale, the world has gone mad for bags. The more the better. One for every outfit. In every colour and size and myriad combinations of pulse-quickening studs, tassels, quilting and hardware. Now bags are cult items, must-have accessories for which ordinarily sensible women will submit to all sorts of indignities - interminable waiting-lists, unseemly bidding wars on eBay, hissy fits in department-store handbag departments. All because they saw Sienna Miller carrying it in Heat. Is there a woman alive who isn't infected by it-bag fever? Is there a man alive who has the faintest idea why handbags suddenly cost a month's salary? And it all started a decade ago with one little bag from Fendi…

Hermes 'Birkin'


"It's not a bag: it's a fucking Birkin!" shrieks Samantha, in Sex and the City, when she attempts to use Lucy Liu's name to move up the legendary Hermes Birkin waiting list. What she means is this isn't a bag it's the ultimate fashion status symbol. The Birkin has been called the ‘perfect' bag, i.e. once you get one you never want another. Er, is that handbag or Birkin? Victoria Beckham is rather fabulously rumoured to have a room full in every colour. Traditionally low in supply and high in demand you have to wait eight months to six-years for one of these. The story goes, the actress Jane Birkin sat next to Hermes chief exec Jean-Louis Dumas on a Paris to London flight in 1984 and was whinging on about how she couldn't find a decent, chic, weekend bag. He obliged and put her name to it. A tip: try the Hermes cancellation list or eBay, where Michael Tonello, author of Bringing Home The Birkin, famously sold them and made his fortune.

Fendi Baguette

Arguably the first real ‘it bag', the hype and furore surrounding this was it's price tag - upwards of £1,000 - and the fact it came in the handbag equivalent of a size ‘0'. Created in 1998 the idea behind the Baguette, according to it's creator, Silvia Venturini Fendi, was that each one was a mini piece of art that would jazz up any outfit. Ideal for the busy, modern, RICH, woman who couldn't rush home to change in the evenings. It proved irresistible arm candy, coming in any colour leather and fabric, including exotic skins (lizard, crocodile and mink), sometimes patchworked together and woven with gold thread and festooned with diamonds. Despite the fact it just about fits keys, lipstick and a couple of credit cards, the Baguette continues to sell out. But hey, practicality wasn't, isn't and never will be a selling point of an iconic bag. Although, interestingly enough, it's baby sister, the Croissant, failed to bleep on the fashion radar.

Dior Saddle

What can we say about this other than it's inspired by a horse's saddle, incorporates a stirrup, buckle, bit, rivets, a giant metal ‘D' and various jangly spurs and horsy bits, oh and it's completely revolutionized bag shapes. This kick-started the trend for weighty handbag embellishment and proved particularly popular with fashionable equestrianistas, and of course Chingford Chavs and Far Eastern ladies, who love a little bag with a lot going on. It's much easier to sell bags than clothes and much harder to rip-off a fiercely copyrighted bag in the shape of a saddle. You do the maths. Dior Saddles come in anything from exotic python or alligator to French toile du jour and are reliably expensive. Launched in 2000, last year, John Galliano celebrated a decade at the helm of Christian Dior with a highly collectable limited edition, further demonstrating the commercial genius behind the French fashion powerhouse. Ride on.

Balenciaga Lariat


In 2001, the year Gucci Group (PPR) acquired Balenciaga, the motorcycle-inspired Lariat roared onto the fashion scene. Designer, Nicholas Ghesquière poured his heart and soul into this, distilling his unique vision - Sci-Fi robot, organic forms, 1980's New Romantics, biker girl chic, French classicism - into a distressed leather, inky blue, squishy tote with tassles, zips and rivets. He then dispatched the first thirty to chums, (Kate Moss, Sienna Miller, Chloë Sevigny, Charlotte Gainsbourg, Carine Roitfeld), a process known in marketing as ‘seeding'. Happily all these women were "social sparks", in other words instigators, originators and reliable trendsetters, who unanimously gave the Lariat the thumbs-up. No wonder, this has a louche, casual MOD (model-off-duty) look about it whilst being fashionably on trend. Along with skinny trousers and a blouson jacket, it remains part of the Balenciaga ‘look'.

Luella Gisele

This bag established the trend for ensuring exclusivity and heightening the buzz by giving bags their own names. Not plebby names like Tracy and Pat, but aspirational or iconic names. The Tod's Lady Di tote and Gucci's Jackie bag were earlier forerunners. The Gisele, named after the model Gisele Bündchen, is festooned with more fancy bridlery than a prancing show pony. Fabulous to look at but - and I speak as an owner here - a pig to use. Takes an age to get in and out of. People in Post Office queues hate you. Still, when has practicality ever been the key selling point of an it-bag? Women want it-bags for lots of different reasons, very few of them to do with having enough room to stash a spare nappy and a Thermos. Women want fashionable bags because they impart status, because they can render a boring outfit instantly fabulous and because they allow entry-level access to a designer name whose clothes they might never be able to afford. When guilt strikes at the £500-plus price tag, women can comfort themselves with this thought: bags are democratic and inclusive. They transcend tricky divisions to do with weight, age and social status. In short, bags are not just for skinny bitches. There is no such thing as a size-zero bag.

Louis Vuitton Monogram Multicolore

Is it art or is it fashion? It's in fact a bag which costs the same as a small car and apart from the handles isn't even made of leather. After Murakami's spring/summer 2003 catwalk debut, the rumour goes phone lines at Louis Vuitton were jammed with orders. It took several shipments of the bags to even make it into stores because of pre-orders. Art-lover Marc Jacobs is credited with bringing onboard the pop-artist, Takashi Murakami (a sort of Japanese version of Jeff Koons, most famous for his cartoony paintings and sculptures created from inflatable balloons), to spruce up the most-copied, most covetable bags in the world. Bet he's glad. The very recognizable Mulitcolore (each one features 33 bright and jolly shades) might have Georges Vuitton (son of Louis) who ironically invented the LV logo in order to PREVENT copies, spinning in his grave, but it has provided the French brand with yet another iconic pattern.

Mulberry Roxanne

Known to devotees as the Roxy, this baby ticked all the right it-bag boxes. It had pockets, buckles and more studs than a porn shoot at the Hefner mansion. It cost £595, but in a sea of silly bags it was seen as the epitome of grown-up practicality. Not for the first time retailers used engineered scarcity to create waiting-list hysteria in order to elevate a bag's covetability. Mulberry states that leather goods now account for more than 80 per cent of its profits, and the same goes for most labels. Bags are much easier to sell than clothes, the profit margins are huge and manufacturers don't have to bother with the tedious issue of sizing. Women have fallen hook, line and sinker for the notion that it is vital to acquire a 'wardrobe' of bags for all occasions. You may be clothed head to toe in Primark, but you'll still cut it as fashion-savvy dresser if you're shouldering the right bag.

Chloé Paddington

With designer clothes becoming so accessible and copied, Chloe came up with the idea of creating a limited edition bag that, as well as costing well over the average monthly salary, would make a woman feel part of an exclusive, trendy ‘club'. This particular ‘it bag' with it's distinctive, laughably oversized clunking lock, intriguing doctor's bag shape, whiffy leather and renown rarity, gave instant ‘pop star', or ‘rich bitch' status to the lucky owner ("Love the bag. Hate her"). It also rendered any clothes worn with it redundant which proved quite handy for the Sienna Miller's of this world who run the risk of getting ‘papped' merely putting out the milk. At the height of it's fame, in 2005, the Paddington eclipsed all others, and, like the Hermes Birkin and Kelly, is still mostly available to mere mortals by means of a very long waiting list.

Marc Jacobs Stam

Named after the model and actress Jessica Stam, this has the highest profile of any of Marc Jacobs's bags, and at £760 represents a distillation of every popular it-bag detail to date, from its squashy quilted-leather body to its show-offy hardware, huge fastenings and heavy gold chain strap. Never let it be said that Marc Jacobs devotees play safe with colours: peanut and mustard are current bestselling shades. Kate Moss, Scarlett Johansson and Dita Von Teese are fans. This was the year a Mintel report stated that British women spend £350 million a year on bags, with sales up 146 per cent on the previous five years. And handbags have become the fastest growing sector of the luxury fashion market.

YSL Muse




The YSL Muse ticks all the boxes of a bonafide ‘it' bag. It's pretty much always sold out, has been spotted slung over the shoulder of Naomi Watts, Jennifer Lopez, Kate Moss, Jessica Alba, La Lohan and countless WWM celebrities (women who matter). It costs over a grand and is distinguishable from any other bag (including countless counterfeit copies). The roomy oval design with it's double zip and big straps is perfectly proportioned and gives the wearer instant class. Whoever said, "a bag is a bag until you slap a logo on" obviously hasn't clapped eyes on the Muse. Launched in 2006 it virtually became an icon overnight and is still popular despite competition from the newly launched, Muse II. Whaddya mean that's only two years? It's a lifetime in bag fashion.

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